Artists Archives

Charlotte Cornish

Charlotte Cornish is a well established artist producing prints and paintings. The dominant theme of her work is the nature of human experience. Creating tensions and harmonies through the use of colour and form.

Much of the initial inspiration for Charlotte’s work comes from places she has visited and have significance to her. Often using photographs as a starting point, and as the compositions develop, combining elements taken from the photographs with imagery drawn from personal experience. Charlotte is fascinated by the possibilities of colour and colour relationships and the infinite potential they have to create dynamic connections and reactions.

Charlotte Cornish uses acrylic paint for her paintings as it dries relatively quickly. I like to build up numerous layers of poured paint in thin veils, which contrast with more thickly applied paint, creating a raised surface on the canvas. Waiting until the paintings are dry before applying each subsequent new mark allows her the opportunity to remove or modify painted areas, without affecting the preceding layers. I work with the canvases flat on the floor for much of the time. The paintings take at least eight weeks to complete.

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ARTIST BIOGRAPHY

Education

1992-1994 Central St. Martins College
1990-1992 Slade School of Fine Art, London
1987-1990 University of Brighton, Sussex

Selected Exhibitions

2019 – Cambridge Contemporary Art
2018 – Sarah Wiseman Gallery, Oxford
2017 – Sarah Wiseman Gallery, Oxford
2016 – Bellwood and Wright Fine Art, Lancaster
2014 – Studio 18, Jersey
2014 – Woolff Gallery, London

ARTIST SUMMARY

Categories:

Paintings
Prints

Other Artwork Types:

Monotype Printing Techniques with Acrylic on Paper

Mediums:

Paintings on Canvas
Prints – Artist-Screen Prints
Prints – Artist-Mono-prints

Subject Matter:

Abstract

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Much of the initial inspiration for my work comes from places I have visited and have significance to me.

Charlotte Cornish

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Jo Gorner

University, Jo was taught printmaking by Jean Lodge, who studied with S W Hayter at Atelier 17, Paris and who was inspirational in her rigorous approach and experimentation. Jo went on to complete an MA in print at Manchester Metropolitan University.

Printmaking is central to Jo’s practice, though it does not dominate the narrative or dictate the expression. The relief and etching techniques Jo Gorner uses allow space and time to consider an image facilitating the passage from thought to paper.

The quality of the marks Jo achieves, the presence of the hand and incidence of chance, are all integral to her work.

The restorative value of the creative process and the impact of the natural landscape both underpin Jo’s practice. The artwork which results is a sensory, embodied, response to this immersion in the natural environment and her relational encounter with a landscape.

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ARTIST BIOGRAPHY

Selected Solo Exhibitions

2016 Familiar Land,: Northern Print, Newcastle
2014 Fields of Vision: Land Art Project, Pennines
2012 Littoral : Flowers Gallery, London

Selected Group Exhibitions

2019 Works on Paper: Campden Gallery
2013 – 2018 Royal Academy Summer Exhibition
2018 New Light Exhibition: Bowes Museum, Bankside Gallery, London, etc
2017 The Original Print Show, Zillah Bell Gallery
2013 Print International, touring, Oriel Wrecsam

ARTIST SUMMARY

Categories:

Prints

Mediums:

Prints – Artist
Etchings

Subject Matter:

Abstract
Geographical

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The restorative value of the creative process and the impact of the natural landscape both underpin my practice.

Jo Gorner

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Mark Beattie MRSS

Mark Beattie MRSS is a British award winning sculptor who lives and works in London.

In 2015, Mark won the Midlands Open, The Xerxes Sculpture Prize and was elected a Member of The Royal Society of Sculptors (MRSS). In 2017 Mark was shortlisted for the Open Contemporary Young Artist Award run by the Biscuit Factory Gallery in Newcastle and long-listed for The Secret Art Prize by Curious Duke Gallery and also for the international Rise Art Prize.

Working with various metals in all their contrasting properties of texture and finish, Mark can make industrial materials appear fluid, malleable and delicate. He continues to study different metals, looking at ways to manipulate and add movement to the material.

Over the past 3 years Mark has been developing ways in which neon and LED’s can complement his sculptures, adding to the movement of a piece and catching the viewer’s eye.

Mark has a strong academic background in art, having studied a BA Hons (International) in Contemporary Art Practice at Leeds University, with a period at the Australian National University at Canberra, and after an MA in European Arts Practice at Kingston University, Surrey. To date he has now exhibited in over 60 exhibitions, solo and group and has a strong following from collectors both in the UK and abroad.

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