Sara Stode Winter
Sara Stode Winter
Swedish born, London based artist Sara Stode Winter has spent her working life in steady pursuit of creative fulfilment. With a background in fine art and illustration and many years of professional experience in different creative fields, she has acquired a strong artistic confidence and a unique expression that manifests in her abstract paper sculptures. Taking inspiration from her Scandinavian roots, Sara’s sculptures showcase a refined aesthetic and a considered use of colours and materials which, along with her avant-garde mindset, lends each piece an intriguing air of beauty and wonder.
Control is overrated. Interesting things happen when you surrender to the fact that you never really had any in the first place. Shedding a lifelong quest for perfection and preciseness I am now making art as an exploration of what happens when an open creative mind meets malleable materials.
Sara Stode Winter makes large scale sculptures out of quality Italian crepe paper. “When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.”
Lately Sara has felt a pressing need to make large sculptures, which makes perfect sense. As the physical manifestations of her unleashed creativity, the pieces that emerge demand scale. No longer getting lost in the details, Sara is finding and claiming her space.
ARTIST BIOGRAPHY
Selected Exhibitions:
- Wimbledon Art Fair, London 2023
- Ad Lib Gallery, London 2023
ARTIST SUMMARY
Categories:
- Sculpture
- Wall Panels
Mediums:
- Gilding
- Mixed Media
- Paper/Paper Pulp
- Pastels
Subject
- Abstract
When I came across this beautiful paper I was instantly drawn to the playfulness of its properties. Even now the possibilities still seem endless. To dye and manipulate the paper I use different media and techniques in processes that render each piece truly unique. The sculptures all take shape organically; from initial idea to finished artwork nothing is forced into being. I let the paper lead the way.
Sara Stode Winter